
Paul Winkler
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Paul Winkler
Born
22 June 1939Hamburg, Germany
Occupation
Filmmaker
Nationality
Australian
Genres
Film, Experimental Film, Avant-garde Film
Paul Winkler is an internationally renowned filmmaker who lives and works in Sydney, Australia. Together with Corinne and Arthur Cantrill, Albie Thoms and David Perry, Winkler for many years was among the nucleus of the once thriving Australian experimental filmmaker scene.
Born 22 June 1939 in Hamburg, Germany Winkler underwent a bricklaying apprenticeship before he relocated to Australia in 1959. His self education in film and film history began in 1962 when he also commenced filmmaking, initially working in 8mm on Bell & Howell and Canon cameras. In 1967 he switched to 16mm and a Bolex camera which he used ever since.
Winkler approach to filmmaking is primarily an organic one. His films are a synthesis of the intellect and emotion all filtered through the plastic material of film, balancing delicately between form and content. try to let imagines flow freely to the surface (Winkler).
These magines often depict iconic aspects of Australia like Bondi Beach, Ayers Rock/Uluru and the Sydney Harbour Bridge. Sometimes they take a look at her textures as in Bark/Rind, Green Canopy, and the Bush. As early as 1973 Winkler sided with the Aboriginal Land Right Claims in Dark, conceived at a time of particular spirituality in his work as in Chants and Red Church. Recently, he tends to deal more with modern Australian society like in Rotation, Time out for Sport and Long Shadows. There is even the odd reminiscence to his apprenticeship as in Brickwall, Backyard and Brick and Tile.
The images in his films are clearly marked by the use of devices to create them. Winkler may briefly show the unaltered image in the beginning of a film. But inevitably processing will occur, and Winkler “low-tech invention pushes the possibilities of comparatively simple mechanics and long-known camera devices to their outer limits and beyond”. Mostly, these are still and moving mattes and the optical printer but also some inventions of his own. They always result in refreshingly new images full of sensual impressions.
In 1995, the Museum of Contemporary Art and Sydney Intermedia Network honoured Winkler with a retrospective screening of a total of 30 of his films. The following year, Harvard Film Archive at the Carpenter Centre for the Visual Arts, Harvard University Cambridge, Boston USA screened 30 films in a three-day retrospective.
The Museum of Modern Art in New York holds 15 of his films in their collection. Prints are also available from Canadian Filmmakers Distribution Centre in Toronto , Canada, the New York Filmmakers Coop, Light Cone in Paris, Red Avocado Films in Germany, the National Film+Sound Archive in Canberra, Australia and other outlets the world over.
His first DVD entitled Australian Icons contains Ayers Rock, Bondi, Rotation, Sydney Harbour Bridge and Time out for Sport along with a portrait documentary entitled ? Paul Winkler.
Films in 16 mm
Many Buddhas (2008)
Popkitsch (2006)
Fischtank (20004)
Turmoil (2000)
Rotation (1998)
Capillary Action (1997)
Time out for Sport (1996)
Green Canopy (1994)
Elevated Shores (1993)
Long Shadows (1991)
Glitter (1990)
Faint Echos (1988)
Facades (1987)
Australian Bush (1986)
Incongruous (1984)
Brick and Tile (1983)
Traces (1982)
Ayers Rock (1981)
Urban Spaces (1980)
Sydney-Bush (1980)
Taylor Square (1980)
Cars (1979)
Bondi (1979)
Window (1978/79)
Sydney Harbour Bridge (1977)
Bark-Rind (1977)
Red Church (1976)
Backyard (1976)
Brickwall (1975)
Chants (1974/75)
Dark (1973/74)
Scars (1970/71)
Neurosis (1970)
Requiem No.1 (1969)
Red and Green (1968)
Isolated (1967)
Awards
Turmoil — Finalist – Dendy Awards, Sydney Film Festival 2000
Rotation — Directors Choice Award, Black Maria Film & Video Festival, Jersey City, USA 2000 & Best Experimental Film, Melbourne Film Festival 1999 & Finalist, Dendy Award, Sydney Film Festival 1998 & Honorable Mention, Ann Arbor Film Festival, USA 1999
Capillary Action — Directors Choice Award, Black Maria Film & Video Festival, Jersey City, USA 2000 & Finalist – Dendy Award, Sydney Film Festival 1998
Time out for Sport — Best Editing, Ann Arbor Film Festival, USA 1996 & Finalist – Dendy Awards Sydney Film Festival 1996
Long Shadows — Erwin Rado Award, Best Australian Short Film, Melbourne Film Festival 1992
Brick & Tile — Best Experimental Film, Australian Film Institute Awards 1984
Traces — Silver Boomerang, Melbourne Film Festival 1983 & Honorable…(and so on) To get More information , you can visit some products about supply mosaic tile, anti slip tile, . The Degreaser Cleaner products should be show more here!
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